Andre Previn & Royal Philharmonic Orchestra Holst The Planets Ultra HD

Ultra High Definition 32-Bit Mastering!
This Ultra HD 32-Bit Mastering CD will play on ALL CD players!
Andre Previn conducts the Royal Philharmonic Orchestra for this recording of The Planets by Holst.
In 1986, Telarc released this recording from Watford Town Hall in London. André Previn and the Royal Philharmonic Orchestra sweep through the constellations of Gustav Holst with great joy and enormous dynamic range. Friends of bombastic orchestral works with enormous pressure in the low frequency range will get their money's worth here. The recording was completely digital with a modified Sony PCM 1610 recorder using Schoep's MK2 and MK4 microphones.
Ultra High Definition 32-Bit Mastering!
Ultra High Definition 32-Bit Mastering is a proprietary ultra-high-quality mastering system. This leading-edge system has achieved unprecedented sonority and musicality, reproducing as closely as possible the sound of the original master tape! This format employs what is currently the highest attainable resolution bit depth (word length) in the professional audio field, i.e. 32-bit. 32-bit resolution makes possible maximized, undistorted dynamics, and the lowest noise floor, allowing even the quietest musical information to be heard more clearly. This breakthrough results from the development, through years of experience and application of advanced digital technology, of a sophisticated A/D and D/A processing system.
Ultra HD 32-Bit Mastering does not specify a sampling rate; this allows flexibility in meticulously choosing the appropriate bandwidth for a particular recording. The higher the sampling rate -- for example, 192 kHz -- the greater the bandwidth. However, merely employing the greatest bandwidth may not guarantee the ultimate sound. With some recordings, a lower sampling rate -- 96 or 176 kHz -- may offer better musicality and more homogeneous harmonics. This determination requires careful and discerning auditioning and professional judgment. In the end, the human being's hearing and emotions should be the final arbiter, rather than the print-out of testing equipment or technical measurements.
Recognizing these variables, FIM nevertheless tries to use 32-bit depth and 192 kHz bandwidth whenever the original analog master is at hand. Alternatively, if the original recording is on 24/96, the 32/96 may eventually be used to maintain the integrity of the sonority particular to that recording. With this flexibility, First Impression Music believes that preeminent sound is only achievable when the chemistry of the recording, mastering, glass-stamper making, replication, and quality control is right. As always, listening is believing.
This recording has been mastered by the new Ultra High Definition 32-Bit Mastering process, which creates an unbelievable sound surpassing other formats!
The benefits of Ultra HD 32-Bit Mastering:
• Ambience of Analogue Sound
• Higher Resolution
• Undistorted Dynamics
• The Lowest Noise Floor, allowing even the quietest musical information to be heard more clearly!
• Richer Sound Field
• Master-Tape Quality Sound!!!
• Delivers what musicians originally intended!

Features:

• Produced using PureFlection (Pure Reflection) Process
• Ultra HD Mastering
• Beautifully packaged
• Playable on ALL CD Players!
• Original Audiophile Label, Telarc Release!

Musicians:

• Women of the Brighton Festival Chorus
• Royal Philharmonic Orchestra
• Andre Previn, conductor

Selections:

Gustav Holst (1874-1934)
The Planets, Op. 32
1. I. Mars, the Bringer of War
2. II. Venus, the Bringer of Peace
3. III. Mercury, the WInged Messenger
4. IV. Jupiter, the Bringer of Jollity
5. V. Saturn, the Bringer of Old Age
6. VI. Uranus, the Magician
7. VII. Neptune, the Mystic